Monday, September 5, 2011

After the Storm


It has been a long week, this week.  When hurricane Irene came through this state she did lots of damage.  We were fortunate to come through unscathed.  But lots of time was spent taking care of people whose lives were turned upside down by the flooding of virtually every brook, stream and river.  So many roads and bridges washed out.  So many houses damaged and lost.  So many lives altered dramatically.  Every morning folks met at the elementary school here in Woodstock to volunteer in whatever way they could.  What a fine community of generous, involved and caring people we have in Vermont.  I am so grateful to be part of that community.
And, finally, despite the storm, my floral print calendar is complete--here is the final print intended for November....


"Rose and Holly"
9"x12" -  soft cut linoleum print



"Rose and Holly"
9"x12" - hand colored linoleum print

At the moment, all twelve prints are being scanned and turned into a proof calendar.  I'm excited to see what it looks like!  I still need to make some decisions about typeface, binding, etc. after I see it.  But I'm almost there.
And then the question becomes what to do next?

Friday, September 2, 2011

After Irene




It's been a while since I last posted. There was the fabulous trip to the big skies of Montana. Then some serious studio time before Hurricane Irene landed in Vermont earlier this week. Life is not quite back to normal, but it is moving in that direction.

Before I left to go out west I worked on a canvas piece with some wonderful envelop tea bags called Tea Sacs that the local Mon Vert cafe is saving for me. I don't feel like it's complete yet, but here's the first layer of work:


I've also been preparing for hanging my solo show "The Art of Tea" that will go up next week in the main rotundra of Dartmouth Hitchcock Medical Center. I made a smaller version to fit in the display cases of a favorite piece, "Fragilitea" (which I have titled "Fragilitea 2"). I really enjoy the process involved in this particular technique where it almost feels like I am painting with the tea paper.



"Come Round for Tea" is now complete. This is the third version, a permanent one.




Now I have to work on writing my artist statement and hanging details. It's quite exciting to anticipate a new show!

Thursday, September 1, 2011

Staying Busy During Storm Irene

While the storm raged and later when there was no electricity, phone, or water I had to stay busy in order to stay calm.  Here is a sample of what I did by candlelight for the past three days:

This is one of the 12 ribbonwork pins I made. See the rest of them on my art blog HERE.

Tuesday, August 23, 2011

One More to Go....


It has taken me much longer than I thought it would to create twelve finished prints for my floral calendar.  Buying one house, selling another, moving from place to place and then painting and renovating is very time and energy intensive!  
But I am now working on the last month of the calendar, involving roses, and here is the latest print, for the month of January. 


"Amaryllis and Paper White"
linoleum print - 9"x12"


"Amaryllis and Paper White"
hand colored linoleum print - 9"x12"

It is just wonderful to have time to work in my studio today and I look forward to more of it in the days ahead.... 

Friday, August 19, 2011

Making a Kirigami Mandala

I've made a new papercutting and I thought you would like to see the process.  This is a combination cut (multi-fold forms the outer edge and a bifold in the center.)


To begin, I first took a large square of lightweight paper, folded it diagonally, then diagonally again, and then once more.  Thus I was cutting through eight pieces of paper. (That is why you can't use tiny, delicate scissors for this kind of kirigami. You need tools substantial enough to cut through several layers.)

First I determined the dimensions of the edge design and made some cuts to guide me.



Next, I began cutting out a floral design.  If the client wanted particular motifs in the papercut, I might add them at this stage. This is how it looks as I am cutting:



And here it is partially opened:



Next, I created the center to make it a "combination cut." That means that the outer edge exhibits radial symmetry, each motif repeating four times, while the inner part is a bifold.   So, instead of folding it back up all the way, I will leave it folded only once so that the design in the center will be a bifold, or mirror image.

Since this is a papercut for a gardener, I wanted to have leaves, flowers, and fruit trees in it.  First, I cut the basic shapes out, leaving connections to the outer edge.



I cut the details out of the tree . . .



And then began cutting a basic human shape.  I always make the woman first, as she is depicted with more flesh and hair.



Then I opened the whole piece up and cut off some hair on one of the figures to make the male.  With an x-acto knife I cut details to distinguish their outfits and... Voila!


Monday, August 15, 2011

A Spring Flower Print

It's been a busy summer with not much studio time.  We've had a great vacation on the Cape, a wonderful visit from our son, daughter-in-law and grandchildren, lots of work on the house and normal, fun, summer activities. 
Here is a spring flower print, perhaps March....  I think the little bee in looks suspiciously like "Flying Piglet" and that entertains me!



"Daffodil and Crocus"
linoleum print - 9"x12"


"Daffodil and Crocus"
hand colored linoleum print - 9"x12"

Monday, August 8, 2011

Unbound




The end of July was all about the final stages of putting together the Book Art show at ArtisTree Gallery, Unbound. We have been working on this collaborative exhibtion (between Pentangle and ArtisTree) since November, so it was quite a relief to have received the entries, had the work juried, and figure out all the logistics of hanging the show.

The result is a wonderfully diverse and interesting show of 40 artists interpretation of book art. The four small rooms of the gallery provide an excellent showcase for the mostly intimate work.



I have two books in the show, both made of tea bags:






Now I am back in my studio, finishing some pieces and beginning some new "experimental" work. I continue to find new ways to use the components of tea bags.