URI Visual Arts Sea Grant

Cynthia Emerlye:

Yesterday I mailed off my entry to the University of Rhode Island Visual Arts Sea Grant, a competition held each year by the URI art department for artwork which concerns oceanic, aquatic, or coastal matters. Since I grew up in Rhode Island, I decided to enter. Thanks to Carol Egbert for alerting me to the contest.The project I am proposing is a series of black and white drawings called "Aquatic Bouquets," which are stylized representations of real water plants in tangled groupings. I hope to do a set of 18 to 24 images. Here are some I've already completed, which I used for the competition:


Each one is done in three versions: a line drawing (which will become part of an adult coloring book,) an original white on black, and a digitally inversed black on white version. Prints of some of these can be found in my online shop at www.EmerlyeArts.1000markets.com.

Past to Present

In my past, I've worked at lots of "arty" jobs, from painting faces on mannequins during my years in art school to doing calligraphy and creating computer graphics and architectural renderings as a free lance artist. Maybe my most challenging and rewarding job (and it was way more than just a job) was teaching art, K to 12, in public schools in Massachusetts and Virginia, most recently at Needham High School in Needham, Massachusetts.

When, after fifteen years in the classroom, I left teaching to return to the studio, my first series was watercolor still lifes of pears. The pears themselves and the ways I could arrange them reminded me of the students I missed and the relationships between and among them! So, in this painting called, "Gossip", the lovely, rounded, human-like pear shapes with "talking stems" captured a real sense of a difficult relationship.

These pear paintings amused me and kept me entertained. So, I continued on, depicting a variety of pears in a variety of situations. Different pears had different personalities--and organic pears were the most interesting. They had bumps and unusual shapes and just begged to be included.

"Hide" is the name of this second painting. I loved working with a limited palette and juxtaposing the softness of the fruit with the crispness of the folded paper. And, although in the present I've moved on to more abstract work, these realistic pear watercolors still have a special place in my heart....

12 x 12 Show

This oil painting of an Aloe is one of two of my paintings that will be a part of the 12 x 12 show at Studio Place Arts Gallery in Barre, Vermont. The show will be up from June 16 to July 25.

Being an artist is not simply figuring out what to paint, what medium to use, and then painting until you're satisfied. An artist also has to finding venues to show and sell art.

I learned about Studio Place Arts from another artist and went to their web site to learn more. The mention of a 12 x 12 show in the Calls for Art section caught my eye. I submitted, via email, and about three weeks later an email arrived that started with the words, "We are pleased to invite you ..."

I am pleased to be invited!

For information about Studio Place Arts *click here*

To see my paintings at the Woodstock Folk Art Gallery *click here*

---- Carol Egbert

Ladybugs or Canvas

Every spring my studio seems to call out for a thorough cleaning. Time to sweep up the ladybug carcasses that litter the windowsills, mop up the dusty floor, throw away the dried up tubes of paint, and put everything into a reasonable order. I haven't done it yet, and each time I walk into the space I am a bit torn between wanting things to be tidy and really needing to paint.

This year I've had more distractions following my return from Sydney than usual and I really haven't struck the comfortable pace of working most every day. And I seem especially good at finding projects like planting a new perennial garden or digging up dandelions that keep me from working in the studio. But this is an old story, one that I believe many artists face from time to time. It can be really difficult to get back to work after a break, and can be guilt inducing and frustrating.

But I'm slowly making some inroads and that feels good. Happily I decided to pack a big box with 35 small canvases that I'd started working on in Sydney and to check them in on the plane with my duffel. It was worth the effort as these have become my transition pieces to bridge the gap between the two locations. My work table is now filled with canvases that require layer upon layer of paint, then scratching and sanding, to hopefully achieve surfaces rich in color and


texture. I'm not quite sure now this multi-panel piece will hang in the end, but I'm sure it will reveal itself when it is closer to completion. And although it's contributing to the mess in my studio I am very pleased to have a direction to follow.

So let the cobwebs continue to form and mud and grass clippings litter the floor. Maybe sometime this summer I'll find the right moment to clean.

New Hemp - Cannabis Collection

Cynthia Emerlye:
I've finally pulled together a new Hemp-Cannabis collection of greeting cards, prints, and posters.
These are mostly designs I created for a small Vermont company called Benevolence Bound, which is dedicated to the promotion and use of industrial hemp in the US, the only industrialized country which does not recognize hemp as different from marijuana. The hemp plant is a renewable alternative to wood pulp and is an excellent fiber for clothing, paper, etc.


Here are a few of the hemp designs made into greeting cards. They are sold in my shop at 1000Markets here.

Hi All

VULTURE MOUNTAIN

It is a beautiful spring day here at our house on Vulture Mountain in Gaysville, Vermont.  We moved into our little log cabin full time last September after 25 years of traveling back and forth from Massachusetts and Virginia when our permanent homes were there.  What a gift!  No matter what the weather is, the view across the White River Valley toward the Delectable Mountains is always amazing.  Today it is every shade, tint and hue of green from the bright yellow green of new leaved maples and birches, to the dark rich green of the pine trees.

LANDSCAPES AND NEBULAE

I’ve always loved landscape, so this is a wonderful place for me to land.  The newly plowed fields, the fast moving river, the rock formations, the hills and mountains and sky nourish me in a way that nothing else does.  And so my paintings reflect this interest—or maybe passion.   As abstracts, they reference the shape, movement and colors of land and sky. 

Most recently I have been working on a series of acrylics on gessoed paper that are based on nebulae as photographed by the Hubble Telescope.  The Eagle Nebula is a landscape in formation. Order out of chaos or chaos out of matter?  It is an amazing window into our past and future.

                            ---Kathy Fiske

Why my Avatar is a Group of Pears

Before inspiration arrived in the mail about seventeen years ago, I had worked with clay, designed jewelry, created quilts and needlework.  

Unexpectedly, nine tubes of watercolor paints and a note from my mother saying, 'Give it a try’, changed my life.  

I bought watercolor paper, a few brushes and a number of books and began to paint.

  

Pears were good subjects - their form is recognizable even if not expertly rendered.  An apple might be mistaken for a tomato or pepper but pears are pears.  One pear led to another.  I enjoyed the challenge of painting a pear that transitioned from red to green with pink, orange and yellow in between.

Big, small, lumpy, round, elongated, red, green, maroon, for nearly a year I painted only pears.

Now I paint with both oil and watercolor and create all sorts of paintings, but if I'm stuck,

stumped by a blank piece of paper or an empty canvas, I return to my patient models - pears.

This is the painting for the first in my series of fruit note cards.

 Visit my online shop to purchase note cards and paintings by  *clicking here*.

                                                                                           ---- Carol Egbert