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Cynthia Emerlye:
A decade ago there was a period when I worked exclusively in colored pencil. I like the control one has with this medium and the precise detail that can be achieved. It is more difficult to lay down large areas of color, however, and when I began to do larger work I found it unbearably slow. (Strangely, it hadn't occurred to me to use another medium as an underpainting.) My hands would cramp up after hours of penciling. So eventually I switched to watercolor for my illustrations.
Today I use mediums more interchangeably. Although I haven't tried it, I am fascinated by K.Y.Craft's method of using watercolor as a base for oil painting. She applies a watercolor underpainting to heavy paper or canvas, then sprays it with acrylic to make it waterproof, over which she paints her very detailed work in oil. This seems like a great way to cut down the time needed to illustrate using oil.
Likewise, I now like to mix my mediums, not only to save time and effort, but because I can often get a more elegant look. Watercolor is a great base for the detail of colored pencil. Pastel adds a dreamy look to watercolor and smooths out its roughness. Of course, watercolor washes added to or underneath india ink has been a staple of illustrators for centuries.
The paintings shown here are all from my colored pencil period.
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These four represent works or a more visionary nature, a subject I would like to return to. I have always been fascinated with mythology, fantasy, and symbolism. Must do more of this.
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